Great Wall Cigars

Visiting China’s Premium Cigar Production

Li Qiu Yue Great Wall Cigars

Photo: Samuel Spurr | One of three master rollers at Great Wall Cigars, Li Qiu Yue has honed her skills over 15 years

It’s a cold start to an early spring day in Shifang, a two-hour drive north of the metropolis Chengdu in China’s Sichuan province. Morning mist burns away as I arrive at Great Wall Cigars’ immense 200,000-squaremeter site. The factory and its employees mainly produce machine-made cigars, the current production of which hovers at around 560 million, up from 126 million in 2003. On my visit, though, I am more concerned with the premium cigar division, housed in its own two-story building on the sprawling site. 

“We want to build the best base of tobacco leaves in China and produce more premium handmade cigars to a higher standard,” begins Zhang Jian Wei, Great Wall Cigars’ director. “Our current premium cigar production is only 1.5 million sticks per year, but we want to produce up to 2 million annually.” Zhang is aware that, despite the success of their premium cigars on the Chinese market, the local cigar consumer market is not yet mature. “The team recognizes the importance of time in cultivating an appreciation of cigars in China. We’ve identified that our cigar production shouldn’t just be for current consumers, but that our role in production and marketing should also support customers in their appreciation of cigars to satisfy their growing interest and understanding.” 


Tobacco has been grown in Sichuan province for hundreds of years, since the Qing Dynasty. Great Wall Cigars began as Yichuan Industry Society, which was established in 1918 and was the earliest cigar-producing enterprise in the country. In the 1960s, Great Wall Cigars started making cigars for Chairman Mao who approved of a particular blend, which was then made available to the market. With such a political blessing, the handmade, pre-cut 132 cigar has become one of China’s dominant brands. Members of the 132 cigar-rolling team are elder statesmen of the company and are highly regarded for 

their role in creating such a prized and well-known cigar. The current state-of-the-art facility at Great Wall Cigars was completed in 2007. Since then, the company has partnered with Altadis and Agio, mainly regarding technology for its handmade and machine-made cigars, but also focusing on promotion and sales. 


A 30-minute drive from Great Wall Cigars’ headquarters delivers us to the tobacco fields. Despite the abundant bright yellow canola crops growing in fields nearby, the scene wouldn’t look out of place in Cuba, Nicaragua or the Dominican Republic, and I must remind myself that I am in the middle of China. Ninety-percent of the region’s annual rainfall occurs during the peak growing season and combines with artesian water delivered from surrounding mountains to feed the crop. In late February, the growing season has just started and seedlings are nurtured and protected from overnight temperature drops under covered nurseries. During my visit, mature seedlings are being transplanted to the fields by workers who live nearby. Heavy plastic surrounds each of these transplanted seedlings to protect their root system until they take hold. I’m told that the tobacco variety grown is Cuban seed, which was introduced 16 years ago, while fields in other locations grow local tobacco varieties. Great Wall Cigars plans to build a “Cigar Village” cultural center at the Shifang tobacco fields, focusing on cultivating tobacco, and providing greater scope for local and international visitors to immerse themselves in Chinese tobacco-growing and cigarmaking culture. 

Zeng Dai Long, Great Wall Cigars’ technology director, notes that they are currently overseeing new tobacco fields in Hainan, China’s southern-most province, 500 kilometers south west of Hong Kong. “We are experimenting with the tropical island province’s terroir and looking forward to incorporating leaf grown here into future blends,” says Zeng. 


Mitglieder Great Wall Cigars

Photo: Samuel Spurr | Huang Guang Jun, Zeng Dai Long, Ma Ji, Zhang Wei, Li Wei, members of Great Wall Cigars premium cigar divison

A team of three master rollers manages almost 100 female cigar rollers and implement training and quality control. Their expertise is aided by visits from master roller Lucrecia Valdez of the Dominican Republic as part of their partnership with Altadis. Photos of Chairman Mao and famed members of the 132 rolling team adorn the walls of the factory, inspiring the rollers. 

Under the direction of Li Wei, two aging rooms keep Great Wall’s inventory in perfect condition. The aging rooms are impressive, with over 400,000 sticks resting in wooden drawers. “Thirty different blends are being aged, some of them rolled in 2009,” says Li. Sourcing tobacco outside China is an increasing priority for the company. It regularly joins delegations led by China Tobacco International Inc. to the Dominican Republic, Mexico and Indonesia to source leaf for blends. In the factory’s up-scale smoking lounge, Lei Jinshan, who oversees the cigar rollers, hands me an unbanded Corona. The cigar’s construction, flavor and aroma could hold its own alongside a Dominican or Nicaraguan blend. I’m told it’s an experimental blend that includes Brazilian, Dominican Republic and Indonesian leaf. 


“The challenge we face is introducing China’s Great Wall Cigars to cigar consumers, having these consumers find them acceptable, and then having Great Wall Cigars regarded as equivalent to other global brands,” says Zhang Jian Wei. He notes that Chinese philosophy drives the approach to overcoming these challenges at the company. “Breaking old patterns and constructing a new one is the way to develop, just as a butterfly flies among flowers after breaking out from its cocoon.”
Premium cigars from China may not be part of everyday conversation among members of the premium cigar industry, nor are they the first thing that cigar lovers around the world think of. However, Great Wall Cigars is pushing forward, embracing different tobacco, and looking to compete on the international market. 

This article was published in the Cigar Journal Autumn Edition 2017. Read more

Samuel Spurr has been Cigar Journal’s Asia-Pacific contributor since his first feature on the Australian cigar scene in 2006. Regularly writing, Tweeting, and Instagramming about cigars, he’s recognized in Australia as a cigar authority and frequently hosts cigar master classes.


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